Upon his return he bows in all humility to his elder brother Yudhisthira and hands over the flowers to his beloved wife. He defeats the guards that protect Kubera's pond and collects the flowers. Bhima takes leave from Hanuman after having received his blessings. Hanuman reveals his identity and explains how he can reach the divine pond of Kubera, from where he can collect the Saugandhika flowers. Bhima is unable to do so and in his attempts to move the monkey's tail his mace nearly gets crushed. However, so Hanuman tells him, Bhima may kindly use his mace to move his tail and proceed. Hanuman mocks Bhima's act of setting out to fulfill a woman's craze to get some flowers without knowing its source. Bhima announces that it is only because of his reverence for his brother Hanuman that he will not attempt to kill the aged monkey. Hanuman tells Bhima that he is unable to do so. When Bhima sees the monkey blocking his way, he orders him to move to the side. Assuming the form of an aged, debilitated monkey, Hanuman lies across the path. Realising that it is his mighty younger brother Bhima he decides to teach him a lesson. Scene: 1 Play starts with the scene between Yudhishitra and younger brother Bhima. Though the story line is long only some of the scenes are popularly staged. The story happens when Arjuna is away from rest of the Pandavas. Find Writer & Geek's guide to podcasting here.Deep in the heart of this jungle Hanuman sits in meditation when he is disturbed by someone approaching his abode filled with the quiescence of nature. Synopsis: Kalyana Sougandhikam is based on events in Mahabharata, during Pandavas vanavasa ( exile in the forest ) at Kamyaka Forest. Links to things Mentioned: Our episode on vaccination: 090: How Does Vaccination Work? Find the affiliate links to the equipment and resources we use to make this podcast here. May 5 is celebrated as Kunchan Day in Kerala. What we can understand is that art was used to spread a social message even back then. Back then, most of the performances included stylised or Sanskritised Malayalam which was not accessible to the common folks. The main feature of the art was that it was conducted in Malayalam which most of the commoners could understand. One of the most popular works of Ottamthullal is Kalyana Sougandhikam. Nambiar had written 64 works for the art form. Some of the performances similar to Ottamthullal are Parayanthullal and Seethankan Thullal. The performer is draped in colourful clothes and green makeup. The Chakyar complained to the King about Nambiar’s performances and Ottamthullal was banned in some of the temple complexes. He parodied everyone in attendance and didn’t spare even the rich (Which was a big deal back then). The performances take popular folktales from the past and satirise it with a lot of comedy. It is usually accompanied by a Mridangam or an Idakka. Ottamthullal is a dance and poetic performance. He created Ottamthullal to parody prevalent regional prejudices and sociopolitical conditions. If your want to read online, please click on (Read Online) button and wait few seconds. The motivation behind creating Ottamthullal is that Nambiar was made fun of by the Chakyar for sleeping while playing Mizhavu during a Chakyar Koothu performance. Kalyana Sougandhikam (Ottan Thullal) is a most popular by Alphabet K. He introduced Ottamthullal to the masses in the 18th century. He had established himself as a poet by the time he reached the royal court. Nambiar learnt Kalaripayattu and Sanskrit before moving to the court of Marthanda Varma in 1748. Thunchaththu Ezhuthachan and Cherusseri Namboothiri and Nambiar are known as the ancient triumvirate. Kunjan Nambiar was born in Kerala on May 5 1705, in Palakkad, Kerala. Kunchan Nambiar was an early Malayalam poet, performer, satirist and the inventor of the Kerala art form of Ottamthullal.
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